Wednesday, August 6, 2008
A few days worth of expression
The thunder stopped me.
"My Body"
A cage for air and perhaps a few other things.
There will be no puns intended here.
"Night Falls 1"
Good night, sweet world - I know I am your favorite child.
"And I Pray with One Eye Open"
Guide me to You, Lord (Obama nods). Guide me to You (Mom nods).
I am broken. I nod.
"Trivia"
And what is it you do, Jim? How do we know you?
How do we know You (are the Son of God)? One of the evil spirits shrieked it, and I almost shrieked when I thought there was a man standing on the road in front of us.
"Erika"
She sits on my legs till they sleep, & I read in fragments.
"Joke 1"
Three men enter a bar: a priest, a terrorist, and an actor. Before they can order their drinks, the bartender wanders away, empty-handed and confused. A few hours later, his wife and some well-dressed security guards pat him on the back as they escort him away.
"Night Falls 2"
The computer cracks good night.
"A Blessing in Disguise"
This is a construct, and his materials made a different man, different men, all helpless, needy children who listen to Michael Jackson and tattoo crosses between their thumbs and forefingers.
"Who is Sammy Jenkis?"
Who is the mole? And we shiver when we're right. Make me king.
Bob / Dave Mayberry for president (let me show you something).
I cover my eyes and my shame.
"Mark 3:20-30"
If a house is divided against itself, that house cannot stand.
But whoever blasphemes against the Holy Spirit will never be forgiven, he is guilty of an eternal sin.
I am dripping in myself.
Spirit, fill me!
Album Review: The Faint, Fasciinatiion
But this poppy, celebratory few seconds is strangely enjoyable, dance-worthy, and musically, tonally dense, synths zipping around, weaving a catchy mosaic with Fink’s voice. And in that sense, I guess a purely musical one, ignoring the album’s logic or the statement it’s trying to make, the album works. The white synth-hop of “Fulcrum and Lever,” with its tapping glass bottles and snapping fingers is entirely danceable, while the more directly dance influenced rhythms of “I Treat You Wrong” sounds like something Justice or Daft Punk would make after drinking a cocktail of American pop/rock.